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Walking Drawings: Camber Sands
Walking Drawings
Camber Sands
Directed by Evewright
and Renate Moritz
17m.46 Digi beta / Hi-Definition
Walking Drawing is a large-scale drawing undertaken with a combination of freehand and mechanical tools on a vast landscape (canvas) of at least a quarter of a mile in the early hours of the morning. People of different ages, genders and cultures all dressed in black are then led onto the drawing and invited to walk its lines in various formats and patterns. The entire process is filmed and photographed.
2012
Directing, Film, Fine Arts
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Walking Drawings : Coloured People
Walking Drawings
Coloured People
Directed by Evewrignt
22m.50 Redcam / Hi-Definition
Walking Drawings: Across the Estuaries is the latest work in the ongoing evolution of Everton Wright (Evewright) audiovisual masterwork Walking Drawings created from a series of captivating live experimental art installations involving the public.
His most recent installation in a series of two films, took place on Silecroft Beach in Cumbria. It was poetically captured on film to an original music score and photographed. Evewright creates large-scale drawings on selected transitional ‘sandscapes’ using the British coastline as a canvas, a combination of mechanical and freehand tools are used to create his drawings.These marks and grooves are then brought to life when members of the public are invited to walk these lines to engage with, and experience a drawing in a new way. The public are participants in the creation of the drawing rather than an observer.
2012
Directing, Drawing, Film
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Walking Drawings : Heavy Horses
Walking Drawings
Heavy Horses
Directed by Evewrignt
19m.15 Redcam / Hi-Definition
Walking Drawings: Across the Estuaries is the latest work in the ongoing evolution of Everton Wright (Evewright) audiovisual masterwork Walking Drawings created from a series of captivating live experimental art installations involving the public.
His most recent installation in a series of two films, took place on Silecroft Beach in Cumbria. It was poetically captured on film to an original music score and photographed. Evewright creates large-scale drawings on selected transitional ‘sandscapes’ using the British coastline as a canvas, a combination of mechanical and freehand tools are used to create his drawings.These marks and grooves are then brought to life when members of the public are invited to walk these lines to engage with, and experience a drawing in a new way. The public are participants in the creation of the drawing rather than an observer.horses all dressed in black are then led onto the drawing and invited to walk its lines in various formats and patterns. The entire process is filmed and photographed.
2012
Directing, Drawing, Fine Arts
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Blackbritish.me
Evewright created a new media art installation, #BlackBritish for Talawa Theatre Company’s 25th Anniversary celebration. The piece is made from the answers to the question, ‘To you, what does Black British mean now?’ Multicoloured dots, each one representing an answer to the question, skim across the screen before coalescing into various portraits of Black Britons. Once clicked the dots reveal the answers submitted by the public.
#BlackBritish has a tranquil, contemplative feel about it whilst the wide range of answers to the question are fascinating. Audiences are actively encouraged to post their answers to the question using Facebook and Twitter. The final art installation is projected on wall surfaces real time at Museums and theatres on their touring circuit across the UK with a continuous live update from the internet.
2012
Animation, Digital Art, Motion Graphics
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Walking Drawings : Artworks
Walking Drawings: Across the Estuaries is the latest work in the ongoing evolution of Everton Wright (Evewright) audiovisual masterwork Walking Drawings created from a series of captivating live experimental art installations involving the public.
His most recent installation in a series of two films, took place on Silecroft Beach in Cumbria. It was poetically captured on film to an original music score and photographed. Evewright creates large-scale drawings on selected transitional ‘sandscapes’ using the British coastline as a canvas, a combination of mechanical and freehand tools are used to create his drawings.These marks and grooves are then brought to life when members of the public are invited to walk these lines to engage with, and experience a drawing in a new way. The public are participants in the creation of the drawing rather than an observer.
2012
Photography
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Heads of State
Heads of State
Curated by Jolanta Jagiello
Evewright took part in a group exhibition, at Nunhead Cemetery called Woodland Wonders, as part of Open House Weekend. Artist Evewright previews a series of arresting sculptures using royal insignias and coats of arms exploring the relationship between identity, race and class.
2012
Fine Arts
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Breathless
Artist Evewright previews a series of arresting sculptures using royal insignias and coats of arms exploring the relationship between identity, race and class.
2013
Sculpting
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I am not myself
Evewright produced Riot Crowns as well as several other art objects to mark the 2010 London Riots. As part of an arresting sculpture series, he used royal insignias and coats of arms exploring and challenging the relationship between identity, race and class.
2013
Sculpting
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Red and Green
Experiments with Red and Green Stop and Go
2013
Digital Photography
